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Live performance of CONCERTO APINAYÉ for Guitar & Orchestra commissioned by guitarist Vitor Noah in Partnership with the Royal Academy of Music. Released by GuitarCoop.

Live performance of THE KYNG'S BIDDING for 3 high voices at Chapel Arts, Cheltenham, U.K.


Performed by the JUICE vocal ensemble

Live performance of the IF IT ALL WERE DIFFERENT for solo piano at the Royal Academy of Music.

piano, Zubin Kanga.

Live performance of FLAMENCO STUDY for mallet quartet in David Josefowitz Recital Hall in London, U.K.


Conducted by Colin Currie.


Vibraphones: Luke Taylor; Harry Lovell-Jones

Marimbas: Fran Bombardelli; Tom Highnam

Studio recordging of MAPINGUARI for solo accordion for AccoAkademija and ComposersPlus in Lithuania.

performed by Kamila Olas

Live performance of the first movement of TOWARDS ANGELS for soprano, mezzo, harpsichord and continuo at the Victoria Room, Bristol, U.K.

performed by Les Laurentines

Studio recording of the last movement of CANONS FOR GOYA for accordion and string quartet for AccoAkademija and ComposersPlus in Lithuania.

performed by Raimond Ungurs and The Bows.

Live performance of the the last song of the song cycle  LETTERS TO THE UNBORN for soprano, 2 clarinets, viola, cello & double bass at the David Josefowitz Recital Hall.

performed by Royal Academy Masters students.

Studio recording of the SUITE FOR HIGH VOICE AND PIANO on a selection of poems from the book "Poemas da Amiga" (1929/1930) by brazilian modernist poet Mário de Andrade (1893-1945).

soprano, Caroline de Comi.

piano, Arthur Nesrala.

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